Whilst I was in London with Jeff Ennis MP for the formation of the Parliamentary Brass Band Group, we took the opportunity to meet with Peter Wanless, Chief Executive of the Big Lottery Fund. Brass band’s applications for funding from the Big Lottery Fund meet with about a 50% success rate. Last year bands received £109,663 and this year, until the end of June, they have been granted £53,902 from the fund. In addition to this the National Youth Band of Great Britain has received £573,000 of Big Lottery funding over the last five years through Youth Music and this figure increases year on year. Peter Wanless explained that two of the current funding schemes will be of interest to brass bands:
Awards for all
Awards for All is a Lottery grants scheme aimed at local communities. The fund awards grants of between £300 and £10,000 in a simple and straightforward way. You can apply at any time and the application form is short and simple.
Reaching Communities
Reaching Communities will give grants of more than £10,000 and up to £500,000, including a maximum of £50,000 for capital grants. The fund has set a maximum overall project size of £750,000 and £200,000 for the total capital element within a project. They will fund projects for up to five years
I asked how brass bands may better access the Big Lottery Fund and we discussed the possibility of BFBB becoming a ‘helper organisation’ for bands that wish to access funds, however, more discussions will need to be had in order to establish how this idea might work in practice. The 2012 Cultural Olympiad and the legacy trust were also discussed and further discussions are likely.
Our Creative Talent
July 3, 2008
A major national conference, entitled ‘Our Creative Talent’ was hosted at the Barbican centre, London on 1st & 2nd July 2008 by DCMS, ACE and VAN. The focus of the event was to launch new research that looks in detail at the size make-up and impact of the voluntary arts sector and its potential for growth. On the agenda were also discussions and presentations about the significant contribution that participation in the arts makes to local communities. Of course brass bands are right at the heart of many of our communities and that is why I attended the event.
The keynote speakers were Rt Hon Margaret Hodge MP, Minister for Culture; Alan Davey, Chief Executive, ACE; Robin Simpson, Chief Executive, VAN and Feargal Sharkey, Chief Executive, British Music Rights.
Much of Margaret Hodges’ presentation was centred on the recent MacMaster’s report and the notion of excellence. She made a welcome distinction between excellence and elitism and spoke about our nation’s social capital, support for the arts from ACE and local authorities, and the diverse ways in which we all communicate and network in this electronic age.
Both Robin Simpson and Feargal Sharky called for the recognition that arts groups, including bands, crave for, as well as asking the government for better communication and involvement, support with capacity building and improved innovation and challenges for the sector.
So what of the future? Emerging proposals for arts and culture in the 21st centaury are gathering around the provision of ‘informal adult learning’, that is, finding a balance between the provision for skills and qualifications and the funding of activities for community development. Government, both local and national will be searching for a framework of values that will include the broadcasting media, the use of public spaces and consultation with the voluntary arts sector. A further government report is expected in September 2008 followed by a policy paper that will set out the future vision for Informal Adult Learning.
This was truly an inspiring conference. VAN is certainly centre stage to represent the arts at national level, quite rightly so. The brass band sector should be in full support of VAN and congratulate them on a superb event. It was an important day for the voluntary arts, brass bands included, what a pity that none of our so-called band press were there to cover such a significant meeting. Such influential events are vital to the development of banding in the UK.